Women heros in Valdivieso's works. Bodies, metaphors and cultures

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Ana Inés Leunda

Abstract

Chilean writer Mercedes Valdivieso (1924-1993) has written a series of novels depicting women who become heroes for political reasons. This article aims to show how this is achieved in the novels written between 1961 and 1991 in terms of how the bodies of these heroic women are represented in different contexts. Our analysis is framed in Iuri Lotman’s Semiotics of Culture (1996), and Katya Mandoki’s studies on Biosemiotics (2006). We claim that metaphors are part of a three-sided modelling system involving the material quality of a sensitive body. This system shows as a total area partially limited by a porous membrane made up of languages being used in different contexts and complex texts, i.e. novels. Within the framework of Biorrhetorics (Fleckenstein, 2001) and Rhetorics of Culture (Barei, 2012), bodies are complex metaphors gathering as constellations and modelling sex, class, and “race”. We seek to show how Valdivieso’s novels are positioned in a net made up of a number of other novels which can be studied from a rhetoric and interdisciplinary point of view

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How to Cite
Leunda, A. I. . (2022). Women heros in Valdivieso’s works. Bodies, metaphors and cultures. Rétor, 5(1), 65–87. Retrieved from http://www.aaretorica.org/revista/index.php/retor/article/view/100
Section
Dossier. Retóricas de lo heroico. Abordajes desde la Retórica de la Cultura (Pablo Molina Ahumada, ed.)